HOW THE WORKSHOP WORKS AND HOW TO PARTICIPATE

THE BASICS:

The workshop is open to all writers of SF, fantasy, and horror. Writers improve here through the reviews and ratings given their works by other writers, and through reviewing the work of others. Trust us...it truly works. Or (if you don't trust us!) read our member comments.

We believe in free samples, so your first month of workshop membership is free. After the one-month free trial, membership costs a reasonable $49 a year (that's 94 cents a week). (More about membership fees and how to pay)

To join, you need to provide a valid e-mail address. Other than that, you can use your writing name, a pseudonym, etc., and you don't have to make your e-mail address public if you don't choose to do so.

Because of occasional adult content, people under 18 must get parental permission before joining.

Since reviews and ratings are what improve people's writing, we require that you contribute reviews in order to be allowed to post your own work. And because we want all members to have a good chance of getting their work reviewed, we have a limit on how many pieces any member can submit at once, and un-updated submissions are eventually removed.

Each month our Resident Editors select one submission in each of four categories and review it. These Editors' Choices are published in our monthly newsletter.

We provide three e-mail discussion groups for workshop members: a news-only announcement list for the newsletter and occasional other updates; a writing group for discussion of writing and writing-related topics; and a chat group for anything else members want to discuss. (More about our e-mail discussion groups)

Read our Member Agreement for all the nitty-gritty details.


MEMBER AGREEMENT:

The Online Writing Workshop for SF & F is open to all writers of science fiction, fantasy, or horror, both aspiring and professional. You need to become a member in order to participate. After a one-month free trial, membership costs a reasonable $49 a year (that's 94 cents a week). (More about membership fees)

We require a valid e-mail address, and because of occasional adult content, people under 18 must get parental permission before joining. Pseudonyms may be used. Multiple memberships are not allowed.

Once you sign up to become a member and choose a member ID, we send you a temporary password via e-mail, which you use to log in for the first time. You can then reset your password to be whatever you want. You can choose to add your e-mail address and other personal information to the member directory if you wish, or not--it's up to you. Your current submissions and the reviews you've done will be part of your directory listing.

After becoming a member, you may submit your work, review the work of others, and participate in workshop discussions. Other members will also be able to read, rate, and review your work.

Because reviews and ratings are what improve people's writing, we require that you contribute reviews in order to be allowed to post your own work. (Of course reviews help the submission's author, but our members report that reviewing also helps the reviewer improve his or her own writing by improving analytic skills.) And because we want all members to have a good chance of getting their work reviewed, we have a limit on how many pieces any member can submit at once.

Rules about submitting your work:

Rules about the content of your submission:

Online Writing Workshops, as owner and administrator of the workshop, has these rights regarding submissions: But we don't have the right to publish any author's work or submit it for publication, nor do we have an option on publishing that work, or any sort of claim to it, just because that work or a portion thereof has been posted in the workshop. Selecting a submission as an "Editors' Choice" does not give us any rights or options. All rights remain with the author of the work. In even plainer language, it's yours, not ours.

Rules about rating and reviewing:

Online Writing Workshops, as owner and administrator of the workshop, has these rights regarding reviews:

Rules about information displayed on this site:

We reserve the right to cancel your membership, with or without prior notice, if we learn that you have:

In these cases we may or may not refund a prorated amount of any membership fee paid, at our discretion.

Your membership rights:

You may also find our Notice to Writers of interest, especially if you have not participated in a workshop before.


Read on for more about the workshop and what it has to offer.

EDITORS' CHOICES:

Each month our Resident Editors select one submission in each of four categories as an Editors' Choice and review it in the newsletter. Editors' Choices do not count against a member's three-submission limit, and remain on display, with reviews, in our Editors' Choice archive for about four months. (Authors may, of course, still remove these submissions from the workshop, in which case they will no longer be listed in the Editors' Choice archive.)

LISTS:

You can create lists on the OWW site to help you manage your workshop participation. You can create as many lists as you want, name them, and put them in the order you want on the Your Lists page. Use a list to keep track of your favorite writers or of the submissions you plan to review. Create a list for the members of your reviewing group so you can have easy access to their directory listings. Collect reviews you want to read and learn from. Save submission-selector searches you perform often. The Your Lists page is accessible from the bottom of the Your Info page or from the navigation buttons on the left of the site window. To add a page to a list, just click on the checkmark symbol on that page:

TELLTALES:

Telltales are opt-in e-mail messages sent to you from the workshop whenever a certain member submits writing or contributes a review, or whenever your submissions are reviewed. You can sign up for submission telltales when you read a submission or in the member directory (at the listing for the author you're interested in). Sign up for review telltales in the member directory or on the member's "reviewer history" page. Sign up for telltales on your own submission on your Telltales page, accessible from the bottom of the Your Info page. Watch for the bird symbol (as in "a little bird told me"):

REVIEWING AND THE REVIEWER HONOR ROLL:

Members who receive especially helpful reviews can nominate the reviewers for the monthly Reviewer Honor Roll, a listing of reviews/reviewers that is updated monthly in each month's newsletter. Use the nomination form in the Reviewer Honor Roll area or the nomination link at the bottom of each review.

WRITERS' RESOURCES:

We maintain a list of useful online resources for aspiring writers, including organizations, other workshops, writers' publications, advice, and contests. New resources are sometimes announced in the monthly newsletter.

NOTICE TO WRITERS:

Editors' Choice selections: The selection of a submission as an "Editors' Choice" does not mean that Online Writing Workshops or a sponsoring publisher, if any, will publish your manuscript, or even that a sponsoring publisher will request to see a complete manuscript. It means that the submission was chosen by our Resident Editors as one that could be reviewed in a way that would help the author and other readers learn more about the craft of writing.

Workshops: You may not have participated in a fiction workshop before, so let us just pass on a little advice. First of all, the point of entering your writing in a workshop is to improve it. You may get compliments, but you will almost certainly receive some criticism of your work. Some reviews and ratings of your work may seem harsh to you--and some may be, in fact, unfairly harsh--but most criticism will help you pinpoint the weaknesses in your piece of writing. It's then your job, should you choose, to eliminate those weaknesses as best you can. Keep in mind, as you read the reviews and ratings, that as a writer it's important for you to have a sense of who is the right sort of reader for your work. Some readers will understand what you are trying to do with your writing, and some will not. Listen to the ones who seem to get it--especially if they offer constructive criticism and good suggestions--and listen less hard to the ones who obviously don't get it.

Secondly, pay attention to the critiques your writing receives, but think for yourself. Editors, or readers, can often point out to an author what is wrong with a particular plot point or chapter or passage--but the editors or readers, can seldom come up with the best solution. The author is often the only one who can do that.

Agents: Many of you may be looking for an agent to represent your writing to publishers. Be aware that there are many "agents" who charge fees and do not actually send your book around, or misrepresent themselves and their services in various other ways. See SFWA's Writer Beware section for more information on this, or to check out the bona fides of an agent who has approached you.

So join the workshop armed with discernment, a relatively thick skin, a willingness to listen to constructive criticism, and--last but not least--a piece of writing you want to share and get feedback upon!

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